Cognitive scientist Steven Pinker reimagines writing in the 21st century
Look at her a prisoner of the gutters. Condemned by every syllable she utters. By right she should be taken out and hung for the cold bloodied murder of the English tongue. This is what the British population calls an elementary education. Come sir I think you picked a poor example. Did I? Hear them down at Soho square dropping H's everywhere speaking English anyway they like.Henry Higgins from My Fair Lady
Henry Higgins set famously rigid standards those who wished to speak the Queen's English. And he was usually disappointed by the indifference of his fellow Anglophones. Oceans of ink have been spilt to write out the rules for a tongue that often confuse native speakers with capricious spellings and apparently arbitrary rules.
A new guide book on how to write well has shaken up some of the sticklers of good grammar. In part, because it is written by the renowned cognitive scientist Steven Pinker. But also, because Mr. Pinker suggests dispensing with many of the rules.
Steven Pinker's new book is called The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century.
Stephen Pinker's Example of Bad Writing
Stephen Pinker calls out academics in particular for writing that is unclear, confusing, and difficult to understand. Here is an example of words penned by scholar and film critic Frederic Jameson:
The visual is essentially pornographic, which is to say that it has its end in rapt, mindless fascination; thinking about its attributes becomes an adjunct to that, if it is unwilling to betray its object; while the most austere films necessarily draw their energy from the attempt to repress their own excess (rather than from the more thankless effort to discipline the viewer)
Stephen Pinker's Example of Good Writing
An excerpt from Richard Dawkins' book Unweaving the Rainbow:
We are going to die, and that makes us the lucky ones. Most people are never going to die because they are never going to be born. The potential people who could have been here in my place but who will in fact never see the light of day outnumber the sand grains of Sahara. Certainly those unborn ghosts include greater poets than Keats, scientists greater than Newton. We know this because the set of possible people allowed by our DNA so massively exceeds the set of actual people. In the teeth of these stupefying odds it is you and I, in our ordinariness, that are here.
If you have a favourite passage that illustrates good writing -- or bad -- let us know.
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This segment was produced by The Current's Josh Bloch.
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