q with Tom Power

The Halluci Nation duo Tim '2oolman' Hill and Bear Witness talk about the band's evolution, from their early days as A Tribe Called Red, making space in the Ottawa club scene for Indigenous music and dancers, to their new name and album.

Karen Knox and Gwenlyn Cumyn's web comedy series Slo Pitch, recently picked up by IFC, mines the hilarity of being in a low-stakes, high drama beer-league team of mostly queer women.

Grammy and Oscar-winning music producer Mark Ronson explores the magic — and technology — behind great pop songs in his docuseries Watch the Sound.

Kathleen Newman-Bremang and Teri Hart discuss Morgan Neville's controversial use of artificial intelligence to mimic the late Anthony Bourdain's voice in the documentary Roadrunner, as well as the Céline Dion-inspired film Aline that premiered at Cannes.

Musician Daniel Monkman, who records under the name Zoon, plays a style of music he calls “moccasin gaze.” It’s a dreamy take on psychedelic rock with layered guitars that he uses on his Polaris Prize-nominated debut album, Bleached Wavves.

Ted Lasso star Nick Mohammed explains why in an era of gritty storytelling and anti-heroes, true subversion is about making your audience smile.

Creation Records founder Alan McGee discovered bands like the Jesus and Mary Chain, My Bloody Valentine and Oasis. Now, his life story has been fictionalized in a new biopic called Creation Stories.

Musician Neal Sugarman was the tenor saxophonist on Amy Winehouse's final album, Back To Black. He joined Q to celebrate Winehouse's legacy as a strong and spirited creator.

After more than a year away from the stage, Cassie Cao is finally able to perform live stand-up at the Just For Laughs festival in Montreal.

Drummer Bill Stevenson of Descendents talks about the band's punk rock origins and their new album, 9th & Walnut, which includes recordings of their earliest songs — almost all of which have never been released.