How translating Shakespeare's plays reveals new ideas — from China to Afghanistan
'Literary translation is a love affair,' says author of Shakespeare in East Asia
*Originally published on November 3, 2021.
Irena Makaryk calls translation a form of "resurrection."
And in the four centuries since Shakespeare died, he has been resurrected too many times to count.
"With resurrection, we think of becoming something else in an afterlife," said Makaryk, an English professor at the University of Ottawa.
"Essentially, resurrection for Shakespeare means that he has become a global writer. If he weren't translated into all these languages, he would remain an English writer, but he belongs to the world now."
A translator has to reach beyond the words to access the ideas and emotions contained in a text, and try to reconfigure them in a new language.
"The task of the translator is, many times, to leave the text aside and then rewrite it with other instruments," said Argentine-Canadian translator and writer Alberto Manguel.
"But that is the essential impossibility of translation, because thinking in one language is not the same as thinking in another," he said.
"In fact, the language that we use dictates our thoughts, creates our ideas. We think that we speak a language, but it's the language that speaks us."
So in the process of translation, Shakespeare's plays often take on new resonances and meanings. According to Alexa Alice Joubin, a professor at George Washington University and the author of Shakespeare in East Asia, that means translation opens up space for a global conversation about the ideas in Shakespeare's plays — such as political legitimacy, tyranny and justice.
"Through a translation, we can learn a great deal about how others think about the same topics or stories, and we can find kindred spirits. We can actually also rediscover ourselves through translations," said Joubin.
"Very often, the classics need to be re-translated for each generation, because each generation has different concerns, a different understanding of the world."
Hamlet in post-Tiananmen China and occupied Ukraine
To illustrate how different generations and cultures translate the same text in different ways, according to the concerns of the day, the IDEAS panel examined Hamlet.
In translation, Hamlet has the potential to become a more politically-charged play, said Joubin. "In English language traditions, people tend to think it's about procrastination," she said.
"In China, the play has been used as a platform to talk about sensitive topics of succession, of revolution, particularly [after the] Tiananmen Square massacre."
She points to a 1989 translation and production of Hamlet by renowned Chinese theatre director Lin Zhaohua. In his production, three actors played the titular character.
"Essentially, [it was] to say that 'we are all Hamlet '... Every man is interchangeable," she said. "It's a very bleak view of history. No matter which side you are coming from, you [end up] as a victim of larger forces of history."
Lin Zhaohua was able to use a translation of Shakespeare's classic play to send a covert political message — one that might slip past the censors — in a moment when a contemporary play that directly addressed the Tiananmen Square massacre would have been much riskier.
Irena Makaryk pointed to a 1943 production of Hamlet in western Ukraine, which was under Nazi occupation — and simultaneously facing the threat of Soviet occupation.
"The actor ... decided to translate ["To be or not to be"] as, "Is it good or evil," because this was an allegorical moment," said Makaryk.
"Ukraine was stuck between the two ideologies of Nazism and the Soviet system, and everyone knew that the country wouldn't survive. Hamlet represented that moment and questioned whether it was better to survive and do nothing or to actively fight."
It's not the only Shakespeare play that has been repurposed and retranslated for political ends.
"Macbeth is a play that lends itself perhaps even more than Hamlet to be performed to the outrage of dictators," said Manguel.
"[During] the Perón dictatorship in Argentina, it was censored. Macbeth was performed in Tunisia very recently."
'The world is rich and beautiful'
Joubin says translation offers a new way to think about Shakespeare — as well as about the world we live in.
"The world is rich and beautiful. Very often people are more entrenched, maybe because of linguistic and cultural limitations. They simply stand at the same spot and look at the world," she said.
"[Then] they figure, maybe I can move an inch. What would it look like from this point of view?"
This is the final episode in this year's edition of IDEAS at Stratford, a long-running project produced in collaboration with the Stratford Festival in Ontario. This year, we're exploring what happens when you take classic Shakespeare plays and transport them across time and space.
Guests in this episode:
Alexa Alice Joubin is professor of English, Theatre, International Affairs and East Asian Languages and Cultures at George Washington University. Her books include Shakespeare in East Asia. At MIT, she is co-founder and co-director of the open access Global Shakespeares digital performance archive, which includes Shakespeare performances in translation from around the world.
Alberto Manguel is an Argentine-Canadian translator and writer, and a former director of the National Library of Argentina. He now leads the Center for Research into the History of Reading in Lisbon.
Irena Makaryk is Distinguished Professor of English at the University of Ottawa. She studies how different cultures and periods reinterpret, revise, transform, and employ Shakespeare's work, especially in times of political upheaval such as the Russian Revolution, World War Two and the war in Afghanistan.
* This episode was produced by Philip Coulter and Pauline Holdsworth.