Blade Runner 2049 is an upgrade for our artificial age

How does a sequel live up a movie classic that changed the way we view the future? Eli Glasner reviews Denis Villeneuve's ambitious Blade Runner 2049.

Canadian director Denis Villeneuve expands the theme of the sci-fi classic with his ambitious vision

In Blade Runner 2049, Ryan Gosling stars as K, an LAPD officer investigating a mystery tied to his past. (Warner Brothers)

So here we are again, skimming through the neon canyons of Los Angeles. From its opening vista — an endless grid of grey, the colour of ash — Blade Runner 2049 looks both futuristic and familiar; a return to the vision first presented by director Ridley Scott decades ago.

But is Blade Runner 2049 a shiny simulacrum? A cinematic replicant in the shape of the original? Or could Hollywood's new favourite golden boy, Canadian director Denis Villeneuve, make a sequel that stands on its own?

A police vehicle known as a "spinner" flies in front of a massive advertisement in a scene from Ridley Scott's 1982 film Blade Runner. (Warner Brothers)

Beyond the looming Geisha girls and East-meets-West aesthetic, what helped 1982's Blade Runner achieve cinematic immortality was the existential quandary at the heart of screenwriter Hampton Fancher's tale. Original star Harrison Ford said little, but spoke volumes, as Deckard: the grizzled detective afraid of where the mystery would lead him.

For this new sequel, Fancher — joined by fellow screenwriter Michael Green — builds on that foundation with a new quest investigating dead replicants, false memories and our very idea of what is real. 

A sign of how Blade Runner 2049's broken world: Officer K (Ryan Gosling) bundles up against falling snow in Los Angeles. (Warner Brothers)

The new film takes place in a synthetic world that's a darker dystopia than the original. The streets of L.A. are covered in snow. Dinner is GMO foodstuffs hiding under holograms. The Earth is ruined and technology is humanity's only salvation. In this world of silicon and simulation, authenticity is the Holy Grail.  


Famine and wars reshaped this world. Synthetic farming saved it, along with a new line of replicants: the nearly-human androids which the titular Blade Runner officers are assigned to hunt. 

Enter Niander Wallace (Jared Leto) as the blind inventor who created the new food sources and wants his new breed of replicants to help humanity fulfil its destiny. While no one will accuse Leto of restraint in his surfer-guru-meets-prophet performance, he's eclipsed by Sylvia Hoek as his eerie assistant, Luv. Like Sean Young's character from the original, Hoek's Luv is a vision of perfection, but there is malice in her eyes.

Officer K pays a visit to the Wallace Corporation, in another set piece exquisitely brought to life by cinematographer Roger Deakins. (Warner Brothers)

True to the noir-ish influences of the original, Ryan Gosling picks up where Harrison Ford left off as a Blade Runner assigned to retire rogue models. As in most Villeneuve films, emotions are wrapped tight, which makes the addition of Gosling critical. Like a Philip Marlowe clone, Gosling's K adds a weary tinge of humour to the simplest moments — say, a subtle smirk against the cold.

At home, where Russian bag ladies bark outside his apartment door, K lets his guard down. The one person to whom he reveals himself is Joi, a digital companion (Ana de Armas). Though Joi is transparent and tied to her hardware — we're constantly reminded of her artificiality — K's attachment to her is very real.  

Blade Runner 2049 continues exploring the theme of searching for what's real and authentic. Above, K reaches out to his companion, Joi (Ana De Armas). (Warner Brothers)

A revelation unearthed near the start sends K on a circuitous path, searching for something that could hold the key to the future of replicants. 

While some will see the Blade Runner 2049's 163-minute-long journey as indulgent, it's just more time to marvel at the exquisite cinematography of Roger Deakins, who invokes a Martian landscape to depict the ruins of Las Vegas (inspired by a dust storm that struck Sydney, Austraila).

The sequel depicts an eerie Las Vegas, left in ruins after being struck by a dirty bomb in the chaos that followed the blackout of the 2020s. (Warner Brothers)

As promised in the trailer, Ford's Deckard does make a return as the film winds its way towards a conclusion.  

The veteran actor has rarely been better, his face hiding behind that magnificent scowl. When he finally drops the mask, emotions arrive like a thunderclap.

Deckard (Harrison Ford) reappears in a deserted casino. (Warner Brothers)

In many ways Blade Runner 2049 is the film Montreal's Villeneuve has been building towards his entire career, after the visceral drama of Incendies, the scope of Sicario and the hope of Arrival.

Though the film has been a personally exhausting project, the degree to which he's managed to articulate and extend Scott's original vision is nothing less than stunning. 

A companion (Ana de Armas) stretches out to K (Ryan Gosling). (Warner Brothers)

If the sequel has a weakness (besides a somewhat soggy finale), it's that it lacks the open-ended ambiguity of its predecessor. Instead, there's a satisfying click as the last puzzle piece falls into place.  

Blade Runner 2049 is an intelligent iteration, 35 years in the making.