Olympia Dukakis, who won an Academy Award for Moonstruck, dies at 89

Olympia Dukakis, the veteran stage and screen actor whose flair for maternal roles helped her win an Oscar as Cher's mother in the romantic comedy Moonstruck, has died. She was 89.

Veteran performer said ambition was 'to play the great parts,' not win an Oscar

Stage and screen actor Olympia Dukakis has died at the age of 89 in New York City. (Theo Wargo/Getty Images)

Olympia Dukakis, the veteran stage and screen actor whose flair for maternal roles helped her win an Oscar as Cher's mother in the romantic comedy Moonstruck, has died. She was 89.

Dukakis died Saturday morning at her home in New York City, according to Allison Levy, her agent at Innovative Artists. A cause of death was not immediately released.

She won her Oscar through a surprising chain of circumstances, beginning with author Nora Ephron's recommendation that she play Meryl Streep's mother in the film version of Ephron's book Heartburn. Dukakis got the role, but her scenes were cut from the film. To make it up to her, director Mike Nichols cast her in his hit play Social Security. Director Norman Jewison saw her in that role and cast her in Moonstruck.

Dukakis won the Academy Award for best supporting actress and Cher took home the trophy for best actress.

She referred to her 1988 win as "the year of the Dukakii" because it was also the year Massachusetts Gov. Michael Dukakis, her cousin, was the U.S. Democratic Party's presidential nominee. At the ceremony, she held her Oscar high over her head and called out: "OK, Michael, let's go!"

Dukakis, left, poses with her Moonstruck co-star Cher. The duo earned accolades for their performances, including Golden Globes and Academy Awards. (Reed Saxon/File/The Associated Press)

Dukakis, who was born in Lowell, Mass., had yearned to be an actor from an early age and had hoped to study drama in college. Her Greek immigrant parents insisted she pursue a more practical education, so she studied physical therapy at Boston University on a scholarship from the National Foundation for Infantile Paralysis.

After earning her bachelor's degree, she worked at an understaffed hospital in Marmet, W.Va., and at the Hospital for Contagious Diseases in Boston. But the lure of the theatre eventually led her to study drama at Boston University.

It was a shocking change, she told an interviewer in 1988, noting that she had gone from the calm world of science to one where students routinely screamed at the teachers.

"I thought they were all nuts," she said. "It was wonderful."

Stage was 1st love

In 1960, she made her off-Broadway debut and two years later had a small part in The Aspen Papers on Broadway. After three years with a Boston regional theatre, Dukakis moved to New York and married actor Louis Zorich.

During their first years of marriage, acting jobs were scarce, and Dukakis worked as a bartender, waitress and other jobs.

She and Zorich had three children — Christina, Peter and Stefan. They decided it was too hard to raise children in New York with limited income, so they moved the family to a century-old house in Montclair, a New Jersey suburb of New York. Zorich died in January 2018 at age 93.

Dukakis was also honoured with a star after it was unveiled on the Hollywood Walk of Fame in 2013. In addition to acting on the stage and screen, she ran the Whole Theater Company in Montclair, N.J., for two decades, specializing in classic dramas. (Mario Anzuoni/Reuters)

Dukakis's Oscar victory kept the motherly film roles coming. She was Kirstie Alley's mom in Look Who's Talking and its sequel, Look Who's Talking Too, the sardonic widow in Steel Magnolias and the overbearing wife of Jack Lemmon (and mother of Ted Danson) in Dad.

Her recent projects included the 2019 TV miniseries Tales of the City and the upcoming film Not to Forget.

But the stage was her first love. For two decades she ran the Whole Theater Company in Montclair, N.J., specializing in classic dramas.

"My ambition wasn't to win the Oscar," Dukakis commented after her Moonstruck win. "It was to play the great parts."

She accomplished that in such New York productions as Bertolt Brecht's Mother Courage and Her Children, Eugene O'Neill's Long Day's Journey into Night and Tennessee Williams's The Rose Tattoo.


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