Robert Indiana, known for LOVE series, dies at 89
'He was the architect of love,' says friend
Pop artist Robert Indiana, best known for his 1960s "LOVE" series, has died at his island home off the coast of Maine. He was 89.
Indiana died on Saturday from respiratory failure at his Victorian home in a converted Odd Fellows hall, a fraternal order lodge, where he had lived for years on Vinalhaven Island, said James Brannan, his attorney.
Friends had expressed concern for his well-being because the reclusive artist had not been heard from for some time. A lawsuit filed in New York City the day before his death suggested he was purposefully isolated by his caretakers.
Brannan declined to comment on the situation.
The artist's LOVE sculpture, in which the "L" and a leaning "O" sit atop the "V" and the "E," is instantly recognizable worldwide.
But he has created other works as well, and fashioned a HOPE design, similar to LOVE, in honour of former U.S. president Barack Obama.
"In some ways he was perhaps seen as the proverbial one-hit wonder because LOVE was so immensely iconic and immensely huge in pop culture. For better or for worse, it overshadowed some of his other contributions," said Dan Mills, the director at Bates College Museum of Art in Lewiston, Maine.
With so much attention going to Robert Indiana's LOVE, I also want to pay homage to the early works he made from materials salvaged around Coenties Slip in Lower Manhattan, where he lived & worked alongside such postwar greats as Agnes Martin, Ellsworth Kelly, & James Rosenquist <a href="https://t.co/m1ErtIhN4H">pic.twitter.com/m1ErtIhN4H</a>—@mlobelart
In his later years, he was known for living an increasingly reclusive life 24 km off the mainland on Vinalhaven, where he moved in 1978.
Kathleen Rogers, a friend and former publicist, told The Associated Press that she was so concerned she contacted the Maine Department of Health and Human Services to investigate six to eight weeks ago.
Through tears, she said did not want Indiana to be remembered for shutting out friends and closing his studio.
"He was a better guy than he's been portrayed as being. He was reclusive, cantankerous and sometimes difficult. But he was a very loyal, loving man. He was the architect of love," she said.
RIP Robert Indiana. Creator of the coolest court to ever host an All-Star Game. <a href="https://t.co/jtGQpY6TsO">pic.twitter.com/jtGQpY6TsO</a>—@bigpelzy
Desire for solitude
A DHHS spokeswoman did not immediately return a message seeking comment.
As the story goes, Indiana, who was born in Indiana, settled in Maine after becoming disillusioned with the art scene in New York.
Robert Indiana seemed thoroughly American in his belief that the core of human existence — eat, hug, err and die— worked well as a road sign. RIP. <a href="https://t.co/JCbwiLaZdn">pic.twitter.com/JCbwiLaZdn</a>—@deborahsolo
But he told The Associated Press in 2009 that he moved to his house — which a benefactor bought for him — when he needed a place to go after his lease ran out on his five-story studio and gallery in the Bowery section of New York City.
His desire for solitude was legendary.
He once stood up Obama at the White House. Another time he made a crew from NBC's Today show wait days before he would let them interview him. In 2014, he disappointed dozens of fans by failing to make an appearance outside his home for an event dubbed International HOPE Day, which was inspired by his creativity. Events were held in several locations around the world.
Although he created a wealth of art, the iconic LOVE tended to overshadow his other work.
Decades later, Indiana's other art took center stage in a 2013 exhibit, Robert Indiana: Beyond Love, at the Whitney Museum of American Art in New York City.
"Well, that's taken a while," he quipped.
<a href="https://twitter.com/hashtag/RIP?src=hash&ref_src=twsrc%5Etfw">#RIP</a> Robert Indiana<br>With Andy Warhol in Warhol's New York studio<br>Photo: Bruce Davidson, 1964 <a href="https://t.co/H6hpvPWgkU">pic.twitter.com/H6hpvPWgkU</a>—@dean_frey
In Maine, Mills said he was inspired by the Whitney's efforts to produce a 2016 exhibition, Robert Indiana: Now and Then. It was one of the last major shows focusing on Indiana's work, Mills said.