Canada·Point of View

Remembering In Flanders Fields: Why John McCrae's poignant WW I words still have power today

While Remembrance Day ceremonies this year will be altered by the COVID-19 pandemic, they will likely continue to include a poem that has endured since it was written during the First World War: John McCrae’s iconic and poignant In Flanders Fields.

Poem likely to feature widely in Remembrance Day ceremonies across Canada

Wild poppies grow beside a field near Polygon Wood on July 14, 2017, in Ypres, Belgium. The poppy has become an internationally recognized symbol of remembrance after it grew in the war-ravaged and muddied landscape in the Flanders region of northern Belgium. (Jack Taylor/Getty Images)

Like so many things in 2020, Canada's Remembrance Day ceremonies will be affected by the COVID-19 pandemic. Communities will still commemorate their war dead on Nov. 11, but this year, the services will be modest and, in many cases, conducted remotely. 

But however they are carried out Wednesday, many proceedings — if not all — will feature the emotionally devastating stanzas of In Flanders Fields, arguably the most recognizable — and because of its enduring popularity within the realm of Remembrance Day — one of the most publicly recited poems in the English-speaking world.

In Flanders Fields marks its 105th anniversary this year. Lt.-Col. John McCrae, serving as a medical officer in the Canadian Expeditionary Force, wrote the poem in the spring of 1915 as the First World War entered its 11th month. McCrae, who was born in Guelph, Ont., crafted the piece in Belgium following the death of a friend and fellow soldier at the second battle of Ypres.

That December, the poem appeared in the British magazine Punch. Within a matter of weeks, In Flanders Fields was being reprinted and featured at public rallies across Britain, transcending from simple literary popularity to a widely embraced lament for a country horrified by the war's unprecedented carnage.

It was proof of poetry's cultural currency at the time. There was an open respect reserved for poets that allowed the likes of Rudyard Kipling, among others, to enjoy a celebrity that today would be unimaginable. Or, put another way, it was an era when poetry mattered. 

LISTEN: CBC Radio host Michael Enright reads In Flanders Fields:

'In Flanders Fields,' read by Michael Enright


6 years ago
Tribute to Canada's Armed Forces 1:19

While that respect fostered an acclaimed movement of war poets — Rupert Brooke, Siegfried Sassoon, Isaac Rosenberg, Wilfred Owen, to name a few — ironically, the author of In Flanders Fields wasn't among them. 

McCrae wrote poems his entire adult life, but it was never his main preoccupation. He was a man of medicine. More importantly, he was a man of the military — he also served in the Boer War — and of the British Empire. 

He was never anti-war and never objected to In Flanders Fields being used as a propaganda tool, which it was in England and in Canada. 

"Take up our quarrel with the foe; to you from failing hands we throw the torch; be yours to hold it high" were lines easily used in recruitment campaigns in a way that Owen's work could never have been: "What passing-bells for these who die as cattle? Only the monstrous anger of the guns."

Lt.-Col. John McCrae wrote In Flanders Fields in 1915 after the death of a friend and fellow soldier at the second battle of Ypres. (National Archives of Canada/The Canadian Press)

McCrae's poem may open with grief and loss, but it closes with a call to duty, and that perhaps explains its enduring iconic status. Those who have lost loved ones to war need to feel the loss was justified — death in the name of the greater good. 

And In Flanders Fields allows for that.

Wild poppies grow in a preserved First World War trench system on July 14, 2017, in Diksmuide, Belgium. (Jack Taylor/Getty Images)

So it's a poem with a comfortable duality, accessibility and obvious historic poignancy. 

But in the end, what we will witness again this Remembrance Day is the rarest of things: the seamless marriage of art and wide public sentiment. 

That poetry is the art form in question speaks to its often unappreciated power — a power the Great War poets and McCrae understood, as much as they understood the horror of battle.

In Flanders Fields

By John McCrae

In Flanders fields the poppies blow

Between the crosses, row on row,

That mark our place; and in the sky

The larks, still bravely singing, fly

Scarce heard amid the guns below.


We are the dead. Short days ago

We lived, felt dawn, saw sunset glow,

Loved and were loved, and now we lie,

In Flanders fields.


Take up our quarrel with the foe:

To you from failing hands we throw

The torch; be yours to hold it high.

If ye break faith with us who die

We shall not sleep, though poppies grow

In Flanders fields.


Joe Cummings is the author of the poetry collection Threats and Gossip, and his poems have appeared in literary magazines across Canada and the United States. He works in the national newsroom of CBC Radio.