Capturing the beauty of scenic cemeteries with Unearth Our Past
Photographer shares her passion with high school students as part of Blue Met educational project
On a blustery winter morning, two-dozen high school students pour out of a big yellow school bus and pass through the gates of the Mount Hermon Cemetery.
They’re not here to pay their respects by laying flowers on graves. They’re here to learn about some of the people interred here in the 160 years since the cemetery’s inauguration.
It’s the first step for students from Quebec High School as they gear up to participate in Blue Metropolis’ educational project, Unearth our Past.
Waiting for the students is the recently-retired Brian Treggett.
Following in his father’s and grandfather’s footsteps, he acted as the cemetery’s caretaker for half a century.
“It’s always interesting to work with young people…You learn as much from them as they learn from you,” he says.
Many pillars of the Quebec City community are buried here, from long-serving city mayors and former premiers, to important shipbuilders and business magnates.
- Henri-Gustave Joly de Lotbinière, Quebec's fourth premier (1829-1908).
- John Munn, shipbuilder, judge and politician (1788-1859).
- John Simons, founder of la Maison Simons (1823-1906).
- George Richard Renfrew (1831-1897) and John Henderson Holt (1850-1915), co-founders of Holt Renfrew and Company.
Snapping photographs of the students, the scenery and Treggett is Montreal-based photographer Monique Dykstra.
Like Treggett, Dykstra has a passion for working with young people. This project was her idea.
“You have the living on that side, and the living on that side and the dead in the middle and they’re all kind of in here together,” she says.
“They’re part of the community and it’s almost like they’re saying, ‘Don’t forget us!’ You can’t forget them, because they’re right there.”
Dykstra strides alongside the budding shutterbugs from Quebec High School as they crouch in the snow to get just the right angle for shots of tombstones, monuments and crosses.
Some students, like Amy Dagenais, sidle up to her for pointers. “How do I get rid of the foggy effect?”
It’s the wet and the cold, there’s nothing to do about it,” Dykstra tells her. Unfortunately, weather can often override artistic choices.
Capturing the perfect shot
The focus today is on photography, but they have many steps ahead of them in the coming weeks.
They’ll gather research and information today along with their photographs and spend part of the winter writing a play inspired by the details they’ve gathered.
Students will perform the final result in late April as part of the Blue Metropolis Literary Festival.
After trudging through the ice and snow for nearly an hour, the students are happy to clamour back up the hill and into what was once the Treggett family home.
There, Dykstra gives one-on-one feedback to the students as they scroll through the images they’ve taken.
She patiently weighs in: great angle, nice framing, fantastic use of colour, not the best execution on that one.
The students, in turn, boast of having laid on their bellies in the snow to get just the right shot.
“You’ve got some gems in there. Now delete 15,” she instructs them.
The students painfully begin to whittle down their photography selection, reading inscriptions and names to one another.
They will soon have to redirect some of that excitement on the the next step in their project: playwriting.