CBC Arts: Exhibitionists

Amanda Parris gets a sneak peek at the ROM Youth Cabinet's stunning project.

The Winnipeg photographer has assembled a project dear to his own heart: hearing the stories and showing the faces of people from the Filipinx queer community.

McMaster has become renowned for her dreamy photographs of the landscape, wearing her signature mesmerizing costumes. Here, she breaks it down.

Kevin Loring is the Artistic Director of Indigenous Theatre at the National Arts Centre of Canada. And on vacation at home in Lytton, B.C., he staged a stunning play.

Adornato isn't just playing around with heavy subject matter - he's trying to start a conversation and, maybe, make a difference.

From pop cans to chocolate bar wrappers, KC Wilcox treats each piece of trash like a treasure - and points to our own responsibility to the land.

Alana Paterson breaks down why she points her camera at female athletes - and why it's so important that she does.

RUBBERBANDance introduced an electrifying vocabulary of moves to the dance scene. Its creator breaks down how it all happened and what keeps him going.

The Toronto artist uses small human figures, acupuncture needles and a sense of fragility to make the sculptures that help her fend off pain.

Artist Don Maynard had a vision of levitating his art among the clouds — and he's achieved it through Skeye Projects, an immersive video experience.

Neon bending takes a lot of practice, breakage and risk. But Clason is at the forefront of a group of women changing the game.

Nicole Brooks combined slavery, witchcraft and opera to make literal Black girl magic out of this little-known moment in history.

The Vancouver artist opens up about bipolar disorder, growing up with the internet and how online culture is giving marginalized artists agency.

Despite the struggles that come with her dementia, Tony and Elia are growing closer than ever through their touching photo series.

KW Junk Music not only makes instruments out of stuff from the junk pile but creates a sense of community for founder Mary Neil.

When Dan Xu arrived in New Brunswick from China, she says it felt like stepping into a landscape painting.

In McLeod's vibrant digital worlds, trees look like candy and grass looks like something you could live in forever. And none of it is real.

The St. John's artist uses subjects as visceral as the opened bodies of animals and as delicate as suspended glass to explore ideas of living and dying.