Manitoba

Canadian Museum for Human Rights opening marked by music, speeches and protests

Demonstrators call for attention to First Nations issues and the Palestinian struggle

Posted: September 19, 2014
Last Updated: September 19, 2014

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It was a morning of music, dance, speeches, a little rain and a lot of protest as the Canadian Museum for Human Rights officially opened in Winnipeg.  2:10

It was a morning of music, dance, speeches, a little rain and a lot of protest as the Canadian Museum for Human Rights officially opened in Winnipeg.

"With the placement of this final stone, at the heart of our circle, it is with great pleasure that we now declare open the Canadian Museum for Human Rights," Gov. Gen. David Johnston stated as the centre stone — part of a circle of hand-gathered stones from national parks and national historic sites — was set in place during the opening ceremony Friday.

Inside the event, hundreds of dignitaries gathered and heard speeches about the genesis and purpose of the $351-million museum.

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Meanwhile outside, dozens of protesters used the media spotlight to bring attention to issues of murdered and missing women, First Nations water rights, the disappearing traditional lifestyle of First Nations and the Palestinian conflict.

"What happens when these guys over here, with their suits and ties and their outfits, destroy everything?" one First Nations protester yelled.

'You have to shine a light in some dark corners in Canada's history because we have to know, I think, where we came from to know where we're going.' — Stuart Murray, museum president and CEO

As strains of O Canada rang out, it mixed with songs of First Nations women protesting and was punctuated by a woman yelling, "Your museum is a lie."

One of the first groups to arrive brought their message of the struggle of Palestinian people in Gaza.

They said they feel overlooked and will continue to push in the hopes that eventually they will be featured in the museum.

The protesters said they were upset the issue is not being recognized at the museum, even though they have met with museum representatives over the past couple of years to have it featured in one of the galleries.

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Other protesters called on the museum to recognize what they said was the historical "genocide" committed against First Nations by the Canadian government. They drummed, performed ceremonial smudges, chanted and carried placards.

Buffy Sainte-Marie told reporters on Friday afternoon that Canada and the Canadian Museum for Human Rights should be using the term 'genocide' to describe the residential school experience. (Jillian Taylor/CBC)

Their sentiments were echoed by legendary Canadian musician Buffy Sainte-Marie, who is performing at the museum's opening concert Saturday night.

Sainte-Marie told reporters that Canada and the human rights museum should use the term "genocide" to describe the residential school experience.

"I think the museum needs to be much more honest, much more bold and much better informed," she told reporters Friday afternoon.

"I don't really think that some of the museum people are truly aware of what our history has been."

Sainte-Marie admitted that she hadn't seen all the galleries in the museum yet, but added that her expectations were not high.

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Group cancels performance

Saturday's concert was supposed to feature First Nations DJ group A Tribe Called Red, but the group pulled out on Thursday, citing concerns about how the museum portrays aboriginal issues.

"We feel it was necessary to cancel our performance because of the museum's misrepresentation and downplay of the genocide that was experienced by indigenous people in Canada by refusing to name it genocide," the group said in a statement Friday.

"Until this is rectified, we'll support the museum from a distance."

Museum president and CEO Stuart Murray said the museum will and should spark protest and debate. The vision for the museum has always been to allow people to voice their opinions, he said.

"The Canadian Museum for Human Rights will open doors for conversations we haven't had before. Not all of these conversations will be easy. We accept that but we will not shy away," he said.

Officials said they are open to talking to different groups and will update the museum's content as human rights issues unfold around the world.

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'The journey is finally beginning'

In addition to the opposition from protesters, the museum has faced construction delays leading up to Friday morning's grand opening ceremony, which began with an indigenous blessing led by elders, including a First Nations prayer, a Métis prayer and the lighting of an Inuit qulliq, or oil lamp.

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A peak inside the Canadian Museum for Human Rights on opening day. (Leif Larsen/CBC)
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The opening ceremonies of the Canadian Museum for Human Rights drew protesters from anti-abortion groups, Palestinian groups, and First Nations. (Pierre Verriere/CBC)
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First Nations protesters are closely watched by police at a barricade surrounding the Canadian Museum for Human Rights during the opening ceremonies. (Pierre Verriere/CBC)
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The Canadian Museum for Human Rights building in downtown Winnipeg depicts a cloud in the shape of dove's wings. Its Tower of Hope reaches up 100 metres, symbolizing climbing from darkness to light. (Cameron MacIntosh/CBC)
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A statue of Mahatma Gandhi greets visitors to the Canadian Museum for Human Rights in Winnipeg. The $351-million museum was designed by Antoine Predock of New Mexico and is the first to be established outside of the National Capital Region since 1967. (Pier 21 in Halifax was designated a national museum in 2011.) Predock borrowed images from the Canadian landscape - mountains, clouds, prairie grass, ice and snow. The Tower of Hope rises 100 metres or about 30 storeys - about eight metres taller than Ottawa's Peace Tower. (Karen Pauls/CBC)
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A view of downtown Winnipeg from the Tower of Hope inside the Canadian Museum for Human Rights. Located near The Forks, the museum contains more than 175,000 individually cut pieces of limestone, basalt and alabaster. The building is the size of four football fields. (Marcy Markusa/CBC)
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The first gallery in the museum, titled 'What are Human Rights?' includes a timeline of concepts of human rights across different cultures and time periods. There is no one definition that everyone agrees on, but the museum features the ideas in the Universal Declaration of Human rights - "All human beings are born free and equal in dignity and rights." (Chris Glover/CBC)
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The Canadian Museum for Human Rights' Garden of Contemplation as seen from above. It's built of basalt rock with pools of water and greenery and inspired by Northern Ireland's natural Giant's Causeway. More than 80 per cent of the museum's major walls are sloped at unusual angles and no two intersections are the same. (Karen Pauls/CBC)
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The Canadian Museum for Human Rights has few artifacts, with an emphasis more on multimedia displays like this one inside the first gallery, where people the world over explain what human rights mean to them. (Cameron MacIntosh/CBC)
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Another multimedia sign inside the Canadian Museum for Human Rights. (Marcy Markusa/CBC)
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Inside the Breaking the Silence gallery, words are powerful. When people dare to break the silence about mass atrocities, they promote the human rights of everyone. (Karen Pauls/CBC)
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The gallery examining the Holocaust is the dark centre of the Canadian Museum for Human Rights. A theatre and personal stories help explain the Nazi atrocities against Jewish people before and during the Second World War. Interactive stations look at other genocides in Armenia and Ukraine, as well as the Spanish colonization of America's indigenous peoples and the British colonization of Tasmanian aboriginals. (Karen Pauls/CBC)
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Inside from the Canadian Journeys gallery, the largest gallery inside the Canadian Museum for Human Rights and an essential stop for school tours. It features stories about the people, events and decisions that have shaped Canadian human rights, for better or worse. It includes an interactive game and a Share Your Story booth. (Karen Pauls/CBC)
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The Canadian Museum for Human Rights is opening more than one year behind schedule. Just 48 hours before the grand opening, many exhibits were still not completed, including this one. (Cameron MacIntosh/CBC)
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Some Manitoba grandmothers "yarn-bombed" this tree in the Canadian Museum for Human Rights' Inspiring Change gallery with crocheted "granny squares." (CBC)
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Trace is an original art installation by Rebecca Belmore in the Canadian Museum for Human Rights' Indigenous Perspectives gallery. It's a massive hanging made of more than 14,000 hand-formed clay "beads," which are the hand prints of children and adults from diverse backgrounds. It honours the memory of the original inhabitants of the land upon which the museum stands. (Meagan Fiddler/CBC)
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Visitors to the Canadian Museum for Human Rights climb 800 metres of glowing alabaster-clad ramps that take them on a literal path of light through darkness. (Karen Pauls/CBC)

The ceremony was attended by numerous dignitaries including the Governor General and former Manitoba premier Gary Doer, who is now Canada's ambassador to the United States.

Current Manitoba Premier Greg Selinger, Winnipeg Mayor Sam Katz and the museum's national campaign chair, Gail Asper, spoke at the event, while the program also featured special performances from Canadian vocal quartet the Tenors, YouTube singing star Maria Aragon and Winnipeg singer-songwriter and fiddle player Sierra Noble.

Asper paid tribute to her late parents, Babs and Israel Asper, who were the driving forces behind the museum.

"Neither my father Israel nor my mother Babs [is] here alive to celebrate with us, but I know they would be filled with gratitude and joy that the journey is finally beginning, this beautiful journey of education and, most importantly, action," Asper said during the ceremony.

A children's dance finale, representing Canada's next generation of human rights leaders, concluded the opening ceremonies program.

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Prime Minister Stephen Harper wasn't in attendance. A spokesperson said his schedule did not permit him to be there.

Heritage Minister Shelly Glover, who attended the opening ceremony, said the museum is an important space.

"This is a museum that will provide information and an educational opportunity to so many Canadians, and it'll make you proud to be a Canadian," she said.

When asked about the protesters outside, Glover said she would like people to take a look at the museum before judging what's inside.

Lightning rod for protests, questions

The country's new national museum is located next to the Forks National Historic Site, where the Red and the Assiniboine rivers meet in downtown Winnipeg.

Designed by world-renowned architect Antoine Predock, the museum with its Tower of Hope and sweeping windows forms a new silhouette on the city's skyline.

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The museum has been a lightning rod for protests, and some academics say they're concerned the content may be susceptible to interference by governments, donors and special interest groups.

"The most important concern is not the concern of individual communities who are disputing the exact manner in which their wrongs have been depicted, but rather the overall issue of independence," said Michael Marrus, an expert on international human rights at the University of Toronto.

Glover said at the opening ceremony that the museum "must present a balanced and factually accurate account of both the good as well as the bad."

Murray said the museum has not been subject to any interference, and the content does expose Canada's human rights failures.

"You have to shine a light in some dark corners in Canada's history because we have to know, I think, where we came from to know where we're going," he said.

With files from The Canadian Press