Video: Tour of the Digital Bookmobile

Posted by Dan Misener under Help Us Out!, Video

Earlier this afternoon, I visited the Richview branch of the Toronto Public Library to see the Digital Bookmobile, which was in town to promote the TPL’s Overdrive collection of downloadable eBooks, audiobooks, videos, and music.

Jamie Kelly from Overdrive (one of the companies the TPL uses to distribute DRMed digital content) gave me a tour of the 74-foot long tractor trailer-turned-bookmobile. Here’s a YouTube video:

I also spoke with librarian Joanne Lombardo about eBooks, scarcity, rights issues, and Canadian Content. You’ll hear from Joanne in an upcoming episode of Spark.

In the meantime, I’d love to know what you think. Have you borrowed digital books from your local public library? What was the experience like? Please, leave your comments below.

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A World Without Email

Posted by Dan Misener under Help Us Out!, Interviews

“Email is where knowledge goes to die” — Bill French

Last season on Spark, Nora talked to researcher danah boyd about her idea of an email sabbatical.

I believe that email eradicates any benefits gained from taking a vacation by collecting mold and spitting it back out at you the moment you return. As such, I’ve trained my beloved INBOX to reject all email during vacation. I give it a little help in the form of a .procmail file that sends everything directly to /dev/null. The effect is very simple. You cannot put anything in my queue while I’m away (however lovingly you intend it) and I come home to a clean INBOX.

After I heard that interview, I immediately wondered if it’s possible to switch off email permanently. Sure, I know a handful of people who don’t use email at all (mostly older relatives), but that’s because they’ve never used email. So, once you’ve started using email, is it possible to go back?

Enter Luis Suarez. Luis works for IBM, and in February 2008, he completely gave up on corporate email:

I know, you can call me crazy now! You can say I am out of my mind, but the truth is that I am now on the 5th day of taking such a radical approach to my daily workload and the overall experience has been tremendous!! In all of those 5 days I have received a total number of 45 e-mails. Yes, you are reading it right!! 45 e-mails!! When normally on a daily basis I would be getting, on busy days, between 30 to 45! A day!! But this time around, things have been different. I have been telling people I will no longer be responding to e-mails, because the more I respond, the more I get.

Since then, Luis has been documenting his attempt to remove corporate email from his life on his blog. He regularly publishes updates showing the number of email messages he gets:

Now, Luis isn’t some sort of neo-Luddite. Rather, he’s a social software evangelist for IBM, and has replaced much of what used to happen via email with social tools like Facebook, Twitter, and other internal tools.

I have decided that if I want to demonstrate how powerful social computing is within the corporate world, and beyond, I am going to make a complete shift to it and try to provoke as many conversations as possible out in the open space of social software.

You can get a very good introduction to Luis’s goals is in this video from the Web 2.0 Expo Europe: Thinking Outside the Inbox:

This week, Nora will interview Luis Suarez about his world without email. Do you have a question for Luis? Do you think you could simply stop getting email in your workplace? Leave your comments below.

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Video: Industry Minister at Toronto copyright town hall

Posted by Elizabeth Bowie under Video

After last night’s copyright town hall in Toronto, the press (Search Engine’s Jesse Brown, the Globe and Mail, and I) had a chance to scrum Industry Minister Tony Clement.

(My apologies for the quality of the video. It was my first attempt at recording radio and video, while trying to adjust levels, look at my notebook and ask questions at the same time! I had to drop the video a couple of times in order to do it all. Clearly, I need to find a better way to do this.)

The government is in the middle of cross country consultations as it prepares a new copyright bill. Most of these are invite-only roundtable discussions, but the event last night was open to the first 300 or so people who registered online.

As several people have pointed out, including Jesse Brown, the music industry was quick to get to the registration list. Here’s what the University of Ottawa’s Michael Geist says:

My own view is that it was so over-the-top that their message was lost in light of such an obvious orchestrated attempt to stack the deck. This was not a real townhall that brought together differing views, but rather an all-out effort by the industry to scoop up the available seats, guarantee themselves a dominant voice, and exclude many alternative voices in the process.

You can watch the town hall for yourself by checking out this wmv file.

Were you there at the town hall, or did you watch it online? What do you think of Clement’s comments in the video? Let us know by posting a comment below.

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Lost Dogs (and other things that still work best offline)

Posted by Dan Misener under 1-877-34-SPARK, Help Us Out!

Lost Dog

Yesterday, on my walk home, I passed a young girl who was taping “lost dog” posters to trees and lampposts near the park in our neighbourhood. And it got me thinking: There are still a lot of things that still work best offline.

Sure, the girl could have posted on Craigslist, or added her dog to LostYourPet.net, but postering near the neighbourhood park is still probably the most effective way to get relevant eyeballs on her poster.

So then, I’m hoping to make a list of things that still work best in offline form, and I’d love your help. Here’s what we’ve come up with to start:

  1. Lost dog posters
  2. Yard sale direction signs
  3. Trying on clothes at a clothing store
  4. Buying fresh produce
  5. Hailing a taxicab

I’d love to know what you think should be on the list. Leave a comment below, email it in, or dial 1-877-34-SPARK (1-877-347-7275 toll free in Canada). Let’s see how long a list we can make together.

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Andy Kaplan-Myrth of Creative Commons Canada responds to the idea of “Open Textbooks”

Posted by Dan Misener under Followups

cc.logo.large

Yesterday, I posted Nora’s full interview with Eric Frank from Flat World Knowledge, a company that publishes “open textbooks” — free remixable academic works published under a Creative Commons license. Under the company’s business model, the books are available for free online, with physical printed copies, audio versions, and study guides available as paid options.

I asked Andy Kaplan-Myrth, Joint Project Lead of Creative Commons Canada to weigh in on the interview, and on Flat World Knowledge’s use of Creative Commons licenses. Here’s his reponse:

I love the idea behind Flat World Knowledge and the new business model Eric Frank is carving out of the textbook market. It’s ripe for change. And I’m thrilled that they’re using Creative Commons licences that permit adaptations.

But I think it’s important to distinguish FWK’s business model from their choice to use Creative Commons licences. Using Creative Commons licensed works to make money is not paradoxical at all. But it’s more complicated than the relationship between CC and commerce. First you can look at the apparent paradox of making money by giving it away, and then look at the role of CC licences in that business.

As Chris Anderson says in his book Free, FWK recognizes that the price of textbook content will approach its marginal cost of zero. They’re beating the rest of the market to the bottom, and they’ve developed a terrific business model based on selling the added value — print versions, audio versions, and subscriptions.

But, to be honest, it looks to me like the choice to use CC licences is not an integral part of that business model. I think they could do everything they’re doing so far — allowing instructors to remix chapters; allowing students to buy different versions; allowing anybody to read the books for free online — without also allowing people to modify the content itself and give it away, which the CC licence allows. They could do all of that with All Rights Reserved stamped on every page they generate.

See, Eric Frank talked about the increased choices that instructors and students have through FWK, but the rights under the CC licence are more broad than the examples he presented. For instance, since you can read textbook content for free on their site, and it’s under a CC licence, you can copy and paste it off the screen and reuse it as desired (within the limits of that particular BY-NC-SA licence). Instructors could copy and paste entire textbooks from the site, modify them as desired, and distribute them to their own classes (under the same Creative Commons licence of course) without ever paying a cent to FWK or the author.

University student societies could buy the PDF versions of texts and provide them through University coursepack services printed on demand for students, undercutting the FWK price. Professors could do the same, modifying content in the texts over the years, gradually keeping books current and adapting them for their own needs, all within the bounds of the CC licence.

[Selling copies may be a sticking point because the CC licences are of the NonCommercial variety, but my own view is that these sorts of sales would be permitted since they are not primarily for commercial purposes. FWK may see this differently of course.]

So why have FWK used CC licences? CC serves at least two purposes for their business model that anybody dealing with free of charge content should consider. The first is that content falling under CC licences becomes part of the knowledge commons. Like an open API on a web app, CC allows content to be reused outside of the original market (education in this case) in creative and unexpected ways. The benefit for FWK and its authors is in whuffie — these downstream uses feed into the reputation economy, turning textbooks with relatively limited distribution into new avenues for authors to promote their expertise in a field.

Another reason FWK may have chosen to use Creative Commons licences is the marketing value of the licences. There is a large and growing community of well connected technorati committed to open source and free content. Adopting CC licences sends a message to that community that FWK understands the importance of Free. It aligns the business with a burgeoning international movement committed to free content and hungry for new business models in the zero cost and reputation economies. Attracting the attention of that community has an undeniable marketing value that likely brings at least a short to medium term benefit to FWK.

Chris Anderson wrote that, in industries where the marginal costs are close to zero, it’s only a matter of time before the price of products will also drop to zero, and he encourages people to beat the competition to the bottom. Flat World Knowledge has clearly done this in terms of their prices.

Their use of CC licences is like a second tier of the same puzzle. Virtually all of the cost of creating textbook content is in the writing, so copyright law keeps the marginal costs of duplication artificially high. Recognizing that the marginal costs are easily reduced through open licensing, FWK has gone straight to the bottom (in a good way) in this race as well. Not only have they reduced prices and increased choice, as Eric Frank said, but they have reduced barriers to the use of content and further strengthened their position as a source of excellent educational content.

Thanks for weighing in, Andy.

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Full Interview: Eric Frank on Open Textbooks

Posted by Dan Misener under Audio, Interviews

books

Earlier this month, I wrote about the future of textbooks — if traditional hard-bound books might someday be replaced be electronic editions, or if the industry might go the way of music and movies, with many people downloading pirated versions from peer-to-peer services like Bittorrent.

After that blog post, the Spark community weighed in on the future of the textbook. Jack Andrew Chapman wrote:

In two of my units we don’t have textbooks. Instead the lecturer uploads PDFs of book chapters and journal articles to the University’s “Learning Management System”

Lianne said:

I think eTextbooks would be a good idea. For some courses. For example, in literature or history classes, and the like. But for Maths and Sciences? Forget it

And Karim Kanji wrote:

I know that every year I was at York University I had to purchase NEWER versions of the same textbook. Why? We were told that the older (one year old) texts were outdated and needed updating. The real truth: Professors had written these texts and where supplementing their “teaching” income by also selling “newer” textbooks.

Well, recently Nora talked to Eric Frank, the co-founder of one company that’s trying to reinvent the textbook publishing industry. The company is called Flat World Knowledge, and it publishes “open textbooks” which are free works that can be edited, updated, and remixed into custom course materials.” These open textbooks are free to read online, but if you want, say, a printed copy or an audio version, you’ll have to pay.

A shorter version of Nora’s interview with Eric will air on an upcoming episode of Spark, but you can hear the full, uncut interview below, or download the MP3.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Also, if your textbook needs aren’t covered by Flat World Knowledge, the Gadgetwise blog from the New York Times suggests checking out the free Bigwords iPhone app for textbook price comparison.

If you like hearing these extended interviews, why not subscribe to Spark Plus? You’ll get regular weekly episodes, plus additional blog-only content like this. [Subscribe via RSS] or [Subscribe with iTunes]

[original image by House of Sims]

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Full interview: Andy Baio on remaking Miles Davis and crowdfunding

Posted by Elizabeth Bowie under Audio, Interviews
kind of bloop

Fifty years ago this week, Miles Davis released his iconic and influental album, Kind of Blue. To celebrate, Andy Baio released his CD project, Kind of Bloop.

Kind of Bloop is what happens when you ask chiptune musicians to cover Davis’ famous tracks and they come out sounding like Nintendo classics.

Nora spoke to Andy about the cover songs, and how he crowdfunded the money for the project through Kickstarter, where he also happens to be the CTO. Andy also runs the blog Waxy.org.

Later this week, I’ll edit this interview and mix it with music into a short montage, but you can listen to the whole interview now by clicking below, or downloading it.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

If you like hearing these extended interviews, why not subscribe to Spark Plus? You’ll get regular weekly episodes, plus additional blog-only content like this. [Subscribe via RSS] or [Subscribe with iTunes]

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