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Saturday Afternoon at the Opera, with guest host Paolo Pietropaolo
Saturday November 21, 2009, 1:00 - 5:00 PM (2:00 - 6:00 AT, 2:30 - 6:30 NT) on CBC Radio 2
"What angel wakes me from my flowery bed?"
Tytania, Queen of the Fairies, falls for the braying of Bottom in but one of the romantic entanglements in A Midsummer Night's Dream, by William Shakespeare. Among the composers who have paid homage to the Bard with settings of the text are Henry Purcell and Félix Mendelssohn, as well as the greatest British composer of the 20th century - Benjamin Britten. His 1960 operatic setting presents new music for the fairies, the elves and the love spells with which Shakespeare charmed audiences.
The opera's dreamlike nature is emphasized in the fantastically successful staging of Canadian director Robert Carsen, which premiered in 1991 and was mounted at La Scala, Milan in June 2009, and conducted by Sir Andrew Davis. The international cast features American Countertenor David Daniels (as the scheming Fairy King, Oberon) and British Soprano Rosemary Joshua (as Tytania) along with several Canadian singers - Erin Wall (Helena); Gordon Gietz (Lysander); and Daniel Okulitch (Theseus).
Paolo speaks with Sir Andrew Davis, who conducts the performance, and to director Robert Carsen.
Duration: 02:28:15
A Midsummer Night's Dream
Opera in Three Acts
Music by Benjamin Britten
Text in English, adapted by Benjamin Britten and Peter Pears, from the play by William Shakespeare
World Premiere: Jubilee Hall, Aldeburgh, June 11, 1960
This Production: La Scala, Milan: June 06, 2009
EBU concert no. EURO/2008-2009/O/036
Cast & Characters
The Cast
David Daniels, countertenor - Oberon
Rosemary Joshua, soprano - Tytania
Emil Wolk, speaking role - Puck
Daniel Okulitch, baritone - Theseus
Natascha Petrinsky, contralto - Hippolyta
Gordon Gietz, tenor - Lysander
David Adam Moore, baritone - Demetrius
Deanne Meek, mezzo soprano - Hermia
Erin Wall, soprano - Helena
Matthew Rose, bass baritone - Bottom
Andrew Shore, bass - Peter Quince
Christopher Gillett, tenor - Flute
Graeme Danby, bass - Snug
Adrian Thompson, tenor - Snout
Simon Butteriss, baritone - Starveling
Francesca Mercuriali, soprano - Cobweb
Elena Caccamo, soprano - Peaseblossom
Barbara Massaro, soprano - Mustardseed
Nicolò De Maestri, soprano - Moth
Orchestra e Coro del Teatro alla Scala (M.o del coro: Bruno Casoni)
Coro di Voci Bianche del Teatro alla Scala e del Conservatorio "G. Verdi" di Milano (M.o del coro: Alfonso Caiani)
Conductor - Sir Andrew Davis
Staging - Robert Carsen
Sets and Costumes - Michael Levine
Lights - Davy Cunningham
Choreography - Matthew Bourne
Production of the Festival of Aix-en-Provence and of the Opéra National de Lyon
Fairies
Oberon, King of the Fairies
Tytania, Queen of the Fairies
Puck,(aka Robin Goodfellow) a Sprite, a servant of Oberon
Juvenile Fairies
Cobweb
Peaseblossom
Mustardseed
Moth
The Lovers
Lysander & Hermia, in love with each other
Demetrius, in pursuit of Hermia, whom he loves
Helena, a former love of Demetrius, still in pursuit of him
Theseus, Duke of Athens who is to wed Hippolyta
Hippolyta, Queen of the Amazons, betrothed to Theseus
The Rustics, who plan to stage a play for the Duke's wedding
Bottom, a weaver
Peter Quince, a carpenter
Flute, a Bellows mender
Snug, a Joiner
Snout, a Tinker
Starveling, a tailor
ACT I - In the wood near Athens, dusk.
The chorus of Fairies are wandering in search of dewdrops for their queen Tytania when they are interrupted by Puck, the mischievous sprite loyal to Oberon, king of the elves.
Oberon enters with Tytania. The two quarrel over a handsome little page-boy whom the queen of the Fairies is unwilling to return to the king of the elves. Oberon meditates revenge and orders Puck to procure for him the magic herb whose juice, when squeezed onto the eyes of a sleeping person, makes him or her fall in love with the first person they see.
The two pairs of Athenian lovers enter: first Hermia and Lysander who swear eternal love to one another, then Demetrius who rejects Helena's love. Puck enters with the magic flower. Oberon tells him to squeeze the juice onto the eyelids of the reluctant lover Demetrius.
A group of uncouth theatre-loving artisans enter, to rehearse a performance to celebrate the marriage of Theseus, Duke of Athens. Enter Hermia and Lysander who have got lost in the wood. When they fall asleep in a glade, Puck by mistake spreads the magic nectar on Lysander's eyelids.
After a while Demetrius and Helena also enter, still squabbling. Helena, left alone, wakes Lysander who - under the effect of the potion - immediately falls in love with her. The Fairies return with their queen Tytania who, to the sound of a lullaby, falls asleep. Oberon squeezes the magic juice onto her eyelids.
ACT II - In the wood, night.
Tytania is sleeping. Enter the artisans, who start rehearsing their performance, with the intention of staging the tragic loves of Pyramus and Thisby. Puck continues his prank and transforms one of the amateur thespians - Bottom, the weaver - into a donkey, a metamorphosis which puts the rest of the company to flight.
Tytania wakes up, falls in love with the monster and proceeds to fondle and pamper it. Oberon is satisfied: his vengeance could not have had amore comical outcome. He gets very angry however when he discovers that Puck has poured the magic nectar onto the eyes of the wrong Athenian lover.
In an effort to sort out the ensuing mess, he intervenes personally to squeeze the juice onto the eyelids of the sleeping Demetrius who awakes when Helena arrives, followed by Lysander, and thus falls in love with the lady he had previously rejected.
Hermia also now appears and the situation ends up with Demetrius and Lysander challenging each other to a duel. Urged by Oberon, Puck puts a stop to this nuisance by getting the contenders to chase each other through the wood until they drop with exhaustion. He then squeezes the antidote onto Lysander's eyelids.
ACT III - In the wood, morning.
At dawn Oberon explains to Puck that he is beginning to feel sorry for the poor Tytania. He accordingly frees the queen of Fairies from his magic spell and restores to Bottom his normal human features. Oberon and Tytania make peace and go off stage dancing a saraband.
The two pairs of lovers also wake up again, this time in perfect harmony. Bottom gets up too, full of strange reminiscences. He quickly finds his companions again and goes off to Athens with them to celebrate the royal wedding with the performance of Pyramus and Thisby.
- Athens, in the ducal palace.
Theseus and Hippolyta, who are getting ready for the marriage celebrations, are delighted to receive the two pairs of lovers whose forth coming marriages they announce. And so everything is sorted out. The programme of celebrations gets under way with the rambling performance given by the artisans.
As midnight strikes, the Duke sends everybody off to bed. The time of the Fairies begins. The stage empties, but Oberon's and Tytania's followers reappear, including the cheeky little Puck, who closes the comedy by turning directly to the audience to ask for their applause.
Paolo Pietropaolo presnets a quick musical survey of SOME of the musical incarnations of A Midsummer Night's Dream.
Duration: 00:03:00
Duration: 00:05:36
SATURDAY AFTERNOON AT THE OPERA is produced by:
Rosemary Allenbach,
Matthew Baird,
Neil Crory,
Matthew McFarlane,
and Grant Rowledge
Denise Ball is Executive Producer,
Bill Richardson is host
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