Sunday September 10, 2017
We will write ourselves into existence: Nick Mount on the rise of CanLit
more stories from this episode
- The summer of our discontent: Michael's essay
- Suppressing unwanted views never works: James Turk on campus free speech debates
- "I loved that boy, he was just like one of my own."
- An unusual family finds joy, connection and love in a remote Inuit community
- We will write ourselves into existence: Nick Mount on the rise of CanLit
- Coastal Florida and Miami are doomed: geologist Harold Wanless
- Daughter of civil rights worker murdered in Selma on racism, white supremacy and her mother's legacy
- Think Again — So... why do we start sentences with the word "so"?
- Reflections on a life-long teaching career
- Full Episode
The literary pantheon in Canada is replete with shooting stars and eccentric luminaries who created and fuelled what we now call Can Lit: a novelist whose dystopic fiction inspired Hollywood movies, plays, even an opera; a poet who became one of the world's greatest singer-songwriters; a world-renowned crime writer who sets her stories in rural Quebec; and a Nobel laureate.
That's all a bit ironic, since we are a country whose writers were once considered too boring to bother about.
The biggest factor (in CanLit boom) is the raw economic factor of a society that after several centuries of cutting trees and swatting bugs suddenly found itself with some time and money on its hands. - Nick Mount
But we've always had our fair share of characters, even if they laboured in relative obscurity.
Take Milton Acorn, the depressive poet from Charlottetown, a WWII vet with a metal plate in his head and unquenchable thirst for booze. Or Quebec City's Marie Claire Blais, who wrote of monsters so dark her mother burned one of her short stories. Or Al Purdy, who grew up next to a tombstone business in Trenton, Ontario and failed Grade 9.
If today's writing superstars had been born in another era, their work might never have been seen. But in the 1950's some kind of alchemy changed things, and CanLit was born and began to thrive.
All of this is the subject of a new book by University of Toronto literature professor, Nick Mount.
Arrival, the Story of Can Lit chronicles the boom that took place in Canadian publishing in the latter half of the 20th-century, setting it into a national and international context.
Nick Mount has been called a "rock star professor" by his students, and he's the recipient of many accolades, including the 3M National Teaching Fellowship, one of Canada's highest teaching awards.
He is the former fiction editor of The Walrus. And in 2005 he won the Gabrielle Roy Prize for the best book of Canadian literary criticism for When Canadian Literature Moved to New York.
Nick Mount wrote Arrival, he says, for a simple reason: because it didn't exist.
Here are the books Nick recommends:
Lives of Girls and Women, by Alice Munro
The Lost Salt Gift of Blood by Alistair MacLeod
Selected Poems by Al Purdy
My Heart is Broken by Mavis Gallant
Civil Elegies and Other Poems by Dennis Lee
The Double Hook by Sheila Watson
The Martyrology Books 1&2 by bpNichol
There is a direct connection between George Grant's 'Lament for a Nation' and what happened in Canadian literature... Some of his students took his book as a challenge, that is, you're telling us Canada doesn't exist, we will write it into existence. - Nick Mount
Click 'listen' above to hear the full interview.