Thursday September 07, 2017
Why Brandon Jacobs-Jenkins restaged the 19th-century slavery play The Octoroon
more stories from this episode
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- The National's Matt Berninger reveals the 'soul changer' on the band's new album
- From Linkin Park to Drake: what Maria Qamar listened to growing up in Mississauga
- Why Brandon Jacobs-Jenkins restaged the 19th-century slavery play The Octoroon
- Alvvays, Fast Romantics and more: music from today's episode
- Full Episode
Unless you happen to be a theatre scholar, you probably won't recognize the name Dion Boucicault.
He was a 19th-century dramatist famous in his time but whose plays have since faded into obscurity.
One of his best-known and most controversial plays was The Octoroon — an octoroon being a person who is one-eighth black. The story follows the history of slavery in the pre-Civil War American South and it made waves for what audiences then saw as a sympathetic and human portrayal of slaves.
But today, most people consider it problematic and full of negative stereotypes about African Americans.
A re-interpretation of the play is creating all kinds of buzz this year at one of Canada's most prestigious theatre festivals. Branden Jacobs-Jenkins' play is called An Octoroon and is currently being staged at the Shaw Festival in Niagara-on-the-Lake, Ont. Jacobs-Jenkins talks to Tom Power about the play's history and present-day relevance as well as the controversy around the current production.
— Produced by Vanessa Nigro