Vancouver Now - FEBRUARY 12 to 28, VANCOUVER, BRITISH COLUMBIA

Recently by Curt Petrovich

Honey I'm home!

I was sitting in the nose-bleed section of Canada Hockey Place sometime between the first and second periods of the gold medal final on Sunday. Somehow a burst of activity in my peripheral vision dragged my attention away from the ice for a moment.
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Making what's difficult look easy

I have a confession to make. Over the past however many days of these Olympics, I have been slipping.
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Searching for answers

Thankfully, some athletes feel a need to explain.  Even when Christine Nesbitt won a gold medal in the ladies' 1,000-metre last week, she was compelled to describe the flaws in her performance. That's right.  Her performance.
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If today is curling, it must be Friday

The sport I'm covering, is my mnemonic for knowing what day it is. Being in the middle of the Olympic bubble, I've completely lost track of the calendar.  
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It would be a shame if we only remember the mistakes

It's getting dark.  Nicole Winiaszewski has been standing in a line outside the Royal Canadian Mint in downtown Vancouver for about an hour.


 

 

 
 
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Once it started it was hypnotic

"Yes, we say 'zed' "That aside by Northwest Territories poet Shane Koyczan during the performance of his own "We are More", brought a knowing laugh  from everyone in BC Place.
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Fear and anxiety in Vancouver

I'm not sure why I decided to climb the steel stairs of the tower erected in Robson's Square. A colleague of mine had just come back from the experience of riding the Zip Line over downtown Vancouver, and I had to see it for myself.
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A confidence and cockiness that is oddly curious

I wasn't exactly sure how the official welcoming ceremony for Canada's athletes would come off, but I thought it had the makings of a pivotal event. So even though as a reporter with a non-rights holder broadcaster I couldn't record any of the festivities, I felt compelled to witness it.
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The opening ceremony, is it worth $2,300?

Journalists are known to be a  cynical lot. There is a good reason for that. Consider what we have to work with.  Then understand that much of what we do is look for the tension in any story we're asked to tell.  That's not a defect.  It's a skill.  Any story worth listening to, has to have a dramatic narrative. 
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"They should be worrying about people like us"

The stench in the hotel hallway is gag-inducing, Hugh Lampkin doesn't seem to notice as he unlocks the door to his room.
 
"This is my humble abode", he says, laughing.
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