CBC In Depth
INDEPTH: ORTONA
The Courtyard of Hell
CBC News Online | January 1999 | Updated September 21, 2004

Matthew Halton reports for CBC News
Two reporters, father and son, in Ortona.
The CBC's Senior Washington Correspondent David Halton reflects on following his father's footsteps
Reporters like myself are used to covering grim and often tawdry news. So I jumped at the opportunity to cover a very different kind of story -- an uplifting one of reconciliation between the German and Canadian veterans who fought the battle of Ortona in 1943.

For many of the vets, the reunion over Christmas week was a healing experience. It opened up a flood of haunting memories but also enabled the old soldiers to ease some of the lingering pain of killing each other in Ortona fifty-five years ago.

I had a special reason to covet this assignment. My father, Matthew Halton, was the CBC war correspondent whose reporting in and around Ortona won him national fame in Canada. He was close to the front line in early December, 1943, when the First Canadian Infantry Division began their attack over the Moro River towards Ortona. His broadcast was the first of many that riveted Canadians on the home front with its richly descriptive words:

"Soaking wet, in a morass of mud, against an enemy fighting harder than he has fought before, the Canadians attack, attack and attack ... the hillsides and farmlands and orchards are a ghastly brew of fire ...listen to the echo of those shells!"
CBC War Correspondents And then you hear the boom of the heavy guns and the bursts of machine-gun fire &;— actuality sound that we have long since taken for granted in war reporting. At the time though, my father and his CBC sound engineer, Art Holmes, were pioneers in the art of recording the sounds of war. In the absence of tape machines, they had to use bulky phonographs to record actuality on old 78-rpm disks. The quality was so impressive that the broadcasts were replayed on the BBC and American radio networks.

As I retraced my father's steps into Ortona last month, I found myself imagining Canadians at home, huddled around those old RCA-Victor consoles as they listened anxiously for news of their family members on the Italian front. The words ..."This is Matthew Halton speaking from Italy"... were the prelude to a series of almost daily broadcasts about what was to become Canada's first major victory of the war.

Matthew Halton War correspondents were reporting under tight censorship at the time. They were not allowed to mention specific regiments or locales. Nor could they mention Allied casualty figures. But no one listening to my father's broadcasts could have any doubt about the bloodshed in Ortona when they heard descriptions like these:

"It wasn't hell. It was the courtyard of hell. It was a maelstrom of noise and hot, splitting steel...the rattling of machine guns never stops ... wounded men refuse to leave, and the men don't want to be relieved after seven days and seven nights... the battlefield is still an appalling thing to see, in its mud, ruin, dead, and its blight and desolation."


Before arriving in Ortona, I waded through military histories about the battle but found nothing to match the graphic descriptions of the battle written by my father. His voice echoed through my mind as I walked the streets of the town, sometimes with Canadian veterans who had met him during that grim December.

David Halton His was a very different genre of war reporting than any I, or any other reporter, would do in the post-Vietnam era. There was an element of cheerleading to it that wouldn't be acceptable today. While frequently acknowledging the courage of German soldiers, there were unabashed references to the "enemy" and, in one broadcast, to the "sullen young zealots" of Germany's First Parachute Regiment. My father had reported throughout the 1930's on the growing danger of Nazism, and for him the Second World War was nothing less than a holy crusade.

After covering the Italian campaign, my father followed Canadian troops in almost all their major battles: the Normandy invasion, the liberation of Holland, and the drive into the German heartland. By the end of the war, Matthew Halton was a household name in Canada...a voice that had become a vital link between the home and the fighting fronts. He enjoyed the fame but once told me, not long before he died in 1956, that he felt a little uncomfortable with a fame more properly deserved by the young Canadians volunteers who fought so bravely.

That pride in the achievements of Canada's soldiers echoes like a beacon in my father's final broadcast from Ortona. The Germans had finally been forced to retreat, and the town lay in smouldering ruins:

Germans surrender
"With the fall of Ortona, the battle of the Moro river is over, and there is a new name to add to the list of great deeds of the war...neither in this war nor in any other has there been anything more bitter and intense. The Canadians beat two of the finest German divisions that ever marched in a long fury of fire and death ending in the appalling week of Ortona."
Wow! I thought as I began working on our CBC documentary on the veterans' reconciliation. How do you match a description like that?

This is Matthew Halton of the CBC Listen to Matthew Halton's reports for CBC News
Canadians advance on Ortona Canadians attack Ortona
Real Audio
Originally broadcast December 28, 1943

Ruins of Ortona The Fall of Ortona
Real Audio
Originally broadcast January 4, 1944

Canadians land at D-Day Canadians land in Normandy on D-Day.
Real Audio
Originally broadcast June 8, 1944

Americans enter Paris The Liberation of Paris
Real Audio
Originally broadcast August 26, 1944






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MAIN PAGE RETURN TO ORTONA THE COURTYARD OF HELL: Matthew Halton reports for CBC News THE GHOSTS OF ORTONA: Ted Griffiths remembers the battle ITALIAN CAMPAIGN
CANADIAN ARMY NEWSREELS: Ortona Italian campaign
CBC ARCHIVES: The Italian campaign
INTERACTIVE: Canadians in the Italian campaign
RELATED: Canada's Military Vimy Ridge remembered D-Day Afghanistan: Canada's casualties Remembrance Day

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