Jose Luis Garcia Berlanga, pictured here in 2000, was also a friend of Surrealist artist and filmmaker Luis Bunuel.Jose Luis Garcia Berlanga, pictured here in 2000, was also a friend of Surrealist artist and filmmaker Luis Bunuel. (Alvaro Rodriguez/Cover/Getty)

Luis Garcia Berlanga, a Spanish filmmaker critical of the military dictatorship under Gen. Francisco Franco and who was credited with helping to revive the country's movie industry after its civil war, died Saturday.

Berlanga had Alzheimer's disease and died at his home in Madrid, according to Spain's film academy, of which he was an honorary president and co-founder. He was 89.

Born in the eastern city of Valencia, Berlanga wrote and directed his first short in 1948 and in 1951 made his first feature film, Esa Pareja Feliz, (That Happy Couple ) in collaboration with Juan Antonio Bardem, father of Hollywood actor Javier Bardem.

He was also a contemporary and friend of iconic director Luis Bunuel.

"Along with Bunuel, he is one of the most important filmmakers of all time," said Alex de la Iglesia, the president of Spain's film academy. "His films Placido and El Verdugo (The Executioner) are two of Spain's best movies, and Berlanga is one of the most important directors in the world."

Berlanga's 1953 film Bienvenido, Mister Marshall (Welcome, Mr. Marshall) explored Spain's hopes that the U.S. would help the country restore democracy and prosperity as it had in much of Europe after the Second World War.

The plan, officially called the European Recovery Program but widely known as The Marshall Plan, was a 1947 to1951 program devised by the U.S. for reconstruction and establishing strong economies in Europe following two devastating world wars.

Making such films was difficult for Berlanga. He was critical of Franco, the victor in Spain's civil war, and had to devise a film language to beat the strict censorship it imposed.

Berlanga had said that Spain's official censors were not the only ones he had to get past, because Franco personally insisted on viewing his films before allowing their release. He said he and fellow scriptwriter Rafael Azcona had to be extremely creative to outwit them.

"Rafael and I had the best work system, that is none," he said, hinting at their ability to improvise successfully.

Fifty years after filming Bienvenido Mister Marshall, Berlanga sat behind a camera for the last time, to film a 10-minute sequence called El sueno de la maestra (Teacher's Dream), which had originally been planned for inclusion in the movie but had been banned by the censors.

Berlanga is survived by a son, Fernando.