Lawrence Hill takes the Magic 8
The author of The Book of Negroes fields questions from the Canadian literati on feeling scared in the dark, his favourite character to write, and how he dealt with a surprising and violent reaction to his book.
1. Andrew Pyper asks, “Have you ever been surprised—deeply and honestly shocked —by the violence of a reader's reaction to your work, whether positive or negative?”
Yes, I was shocked when a small group of Surinamese Dutch chose to burn a copy of the cover of The Book of Negroes in Amsterdam. I had never imagined that my novel, which sought to dramatize and make beautiful the life of an 18th century African woman, could ignite such hatred and anger among peoples of African descent. I found it deeply disturbing, but worked through my thoughts and felt a bit better after writing an essay about the incident, which became the short chapbook dear sir: I intend to burn your book; an anatomy of a book burning which is to be published in April, 2013 by the university of Alberta press.
2. Donna Morrissey asks, “How do you deal with daily life while you're in the middle of creating a book?”
Many of the parts of daily life—cooking, washing dishes, taking care of children, exercising—are grounding and in some ways relaxing, and make it easier to write. That is, as long as the demands are not overwhelming.
3. Shyam Selvadurai asks, “Do you think the portrayal of certain character types are beyond you? Can you name a character in a novel, whose personality/point of view/ character traits etc you know you could never write?”
Sometimes I’m blown away by extraordinarily intelligent characters, and am not sure that I could convey their intelligence in sufficiently interesting and dramatic ways.
4. Todd Babiak asks, “Do you ever feel so scared in the dark, when you're alone, that you have to turn on a light? If so, what are you afraid of?”
I feel nervous when I am all alone at night in the woods. For the first time in many years, I have had occasion recently to walk a few times in the middle of the night in totally isolated forests. If I had broken a leg or fallen into a lake, nobody would have noticed or known. One time was outside Dawson City, Yukon in the month of February, and another time was walking alone in the woods near Kingston, ON. In the woods near Kingston, I actually managed to get lost one night until I figured out how to get back to where I had started. I had a flashlight on then, which was weird, because I felt that the bright light would scare off animals (any animal bigger than a small cat is one I don’t wish to meet in the woods at night). I felt quite anxious like that, alone at night in the woods, but on each occasion reassured myself that everything would be just fine and that no bear was likely to emerge from the trees, looking for a midnight snack.
5. Sharon Butala asks, “What is the main question that you wish somebody would ask you, although nobody ever has?”
It would be very funny to answer by saying “Would you marry me?”, but that is not truly what I wish somebody would ask me. I asked, and I was lucky enough to get what I asked for, so it is not germane, but still funny to imagine. I am having trouble answering this question, although I do wish to answer it honestly. let me say, now that I have reflected for a few seconds, that I wish somebody would say “I have all this great camping gear ready to go out so why don’t you join me on a canoe trip down one of the major rivers in the northwest territories?”
6. Timothy Taylor asks, “No seriously: how important have your other work choices - i.e. the things you’ve done to make money - been to your literary writing?”
They were important because 1) they allowed me to feed myself and my family and 2) because they helped hone my writing skills. I worked for a few years as a newspaper reporter and then for many years as a speech writer. In journalism, I learned to write fast and in conditions of chaos and not to freak out when people started messing with my work. In speech writing, I learned much about human voice and how to get at it on the page.
7. Donna Morrissey asks, “Who has been your favourite character to write so far, and why?”
Aminata in The Book of Negroes is, I think, my best character, because of her depth, humanity and the reach of her life and feelings. But Yoyo, who appears in both Some Great Thing and in Any Known Blood, has been the most entertaining to write, because he was so damn funny in the way that he turned the western world upside down with his African perceptions of things that most Canadians might deem normal.
8. Todd Babiak asks, “When literary prizes rely on audience participation, through social media, do you promote yourself in any way?”
Not yet. I can’t bring myself to ask people to vote for me or cast ballots in my favour. I don’t judge others for doing it—it’s all part of the promotion game, and we each do what we need (or are told) to do. I put news about myself on my website, and reply to fans with news about previous or forthcoming publications, but haven’t (yet) felt ready to go the extra step and ask people I don’t know to do something for me. Ask me next year. Perhaps I will have a new answer.
Lawrence Hill is the author of seven books, including The Book of Negroes, winner of various awards including The Commonwealth Writers’ Prize and Canada Reads. He will deliver the 2013 Massey Lectures, is finishing a new novel and co-writing the adaptation for a television miniseries of The Book of Negroes. He volunteers with Crossroads International and Book Clubs for Inmates, and lives in Hamilton, ON.