Thursday, December 13, 2012 |
Each day this week, CBC Books will present an excerpt from one of the Canada Reads 2013 contenders. For Thursday, we bring you the first chapter of Hugh MacLennan's Two Solitudes, which paints a portrait of Montreal, the city in which much of the book is set and was the author's home for 30 years. Actor Jay Baruchel will defend Two Solitudes during the 2013 debates.
Northwest of Montreal, through a valley always in sight of the low mountains of the Laurentian Shield, the Ottawa River flows out of Protestant Ontario into Catholic Quebec. It comes down broad and ale-coloured and joins the Saint Lawrence, the two streams embrace the pan of Montreal Island, the Ottawa merges and loses itself, and the mainstream moves northeastward a thousand miles to the sea.
Nowhere has nature wasted herself as she has here. There is enough water in the Saint Lawrence alone to irrigate half of Europe, but the river pours right out of the continent into the sea. No amount of water can irrigate stones, and most of Quebec is solid rock. It is as though millions of years back in geologic time a sword had been plunged through the rock from the Atlantic to the Great Lakes and savagely wrenched out again, and the pure water of the continental reservoir, unmuddied and almost useless to farmers, drains untouchably away. In summer the cloud packs pass over it in soft, cumulus, pacific towers, endlessly forming and dissolving to make a welter of movement about the sun. In winter when there is no storm the sky is generally empty, blue and glittering over the ice and snow, and the sun stares out of it like a cyclops' eye.
All the narrow plain between the Saint Lawrence and the hills is worked hard. From the Ontario border down to the beginning of the estuary, the farmland runs in two delicate bands along the shores, with roads like a pair of village main streets a thousand miles long, each parallel to the river. All the good land was broken long ago, occupied and divided among seigneurs and their sons, and then among tenants and their sons. Bleak wooden fences separate each strip of farm from its neighbour, running straight as rulers set at right angles to the river to form long narrow rectangles pointing inland. The ploughed land looks like the course of a gigantic and empty steeplechase where all motion has been frozen. Every inch of it is measured, and brooded over by notaries, and blessed by priests.
You can look north across the plain from the river and see the farms between their fences tilting toward the forest, and beyond them the line of trees crawling shaggily up the slope of the hills. The forest crosses the watershed into an evergreen bush that spreads far to the north, lake-dotted and mostly unknown, until it reaches the tundra. The tundra goes to the lower straits of the Arctic Ocean. Nothing lives on it but a few prospectors and hard-rock miners and Mounted Policemen and animals and the flies that brood over the barrens in summer like haze. Winters make it a universe of snow with a terrible wind keening over it, and beyond its horizons the northern lights flare into walls of shifting electric colours that crack and roar like the gods of a dead planet talking to each other out of the dark.
But down in the angle at Montreal, on the island about which the two rivers join, there is little of this sense of new and endless space. Two old races and religions meet here and live their separate legends, side by side. If this sprawling half-continent has a heart, here it is. Its pulse throbs out along the rivers and railroads; slow, reluctant and rarely simple, a double beat, a self-moved reciprocation.
Excerpted from Two Solitudes by Hugh MacLennan. Copyright Hugh MacLennan, 1945 and the Estate of Hugh MacLennan, 2003. Reprinted with permission of McClelland & Stewart.