Tuesday, July 1, 2014 |
The miracle of birth and the struggle to live a good life; the miracle of a good life and the struggle to be born -- these are just a few of the themes explored in Ami McKay's poignant debut novel. The Birth House is set in a small Nova Scotia community during a period of great change: in Europe, the First World War is raging. In North America advances in medicine and social organization are radically altering they way people live. It's an era charged with tumult, destruction and social revolution.
The Birth House was a Canada Reads 2011 finalist, when it was championed by Debbie Travis.
"Strength and a sense of knowing, that's what you have to have to live in the Bay. Each morning you set your sights on the tasks ahead and hope that when the day is done you're farther along than when you started. Our little village, perched on the crook of God's finger, has always been ruled by storm and season. The men did whatever they had to do to get by. They joked with one another in fire-warmed kitchens after sunset, smoking their pipes, someone bringing out a fiddle . . . laughing as they chorused, no matter how rough, we can take it. The seasons were reflected in their faces, and in the movement of their bodies. When it was time for the shad, herring and cod to come in, they were fishermen, dark with tiresome wet from the sea. When the deer began to huddle on the back of the mountain, they became hunters and woodsmen. When spring came, they worked the green-scented earth, planting crops that would keep, potatoes, cabbage, carrots, turnips. Summer saw their weathered hands building ships and haying fields, and sunsets that ribboned over the water, daring the skies to turn night. The long days were filled with pride and ceremony as mighty sailing ships were launched from the shore. The Lauretta, The Reward, The Nordica, The Bluebird, The Huntley. My father said he'd scour two hundred acres of forest just to find the perfect trees to build a three-masted schooner. Tall yellow birch, gently arched by northwesterly winds, was highly prized. He could spot the keel in a tree's curve and shadow, the return of the tide set in the grain."
From The Birth House by Ami McKay ©2006. Published by Vintage Canada.