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A.Y. Jackson still painting at 73
Around 1912 a loosely knit group of artists began to paint Canada as they saw it. Sketch boxes in tow, they journeyed all over the country to paint the wilderness with bold colours and a broad, decorative style. Despite the death of mentor Tom Thomson in 1917, these painters banded together as the Group of Seven in 1920 to forge a new Canadian expression. Their vision shaped how Canadians saw their own country and left a legacy that continues to provoke debate and discussion. Thanks to the estates of Lawren Harris, A.Y. Jackson, Frederick Varley, Arthur Lismer and A.J. Casson for their assistance in this archival project.
. After an exhibition in 1913 that sold none of his paintings, Jackson considered moving to the United States. He reconsidered when another future Group member, Lawren Harris, bought his painting The Edge of the Maple Wood and invited him to Toronto to meet other like-minded artists.
. At Harris's urging, Jackson took a space in the Studio Building. He shared it with fellow painter Tom Thomson over the winter of 1913-14.
. In 1915, Jackson joined the army to fight in the First World War. Two years later, Lord Beaverbrook - a former Canadian politician - recruited him as an official war painter. Jackson painted scenes such as gas attacks, troop movements and bombed-out villages. Some of those paintings are now in the Canadian War Museum.
. In 1955, each new canvas of Jackson's fetched between $200 and $300. Forty-five years later, a buyer paid $60,000 for a 1955 Jackson work based on a series of sketches made in Alberta. In 2002, Jackson's A Street in Quebec earned $145,000 at auction.
. Jackson moved to Manotick in 1955 in order to be closer to his niece, Naomi Jackson Groves. He stopped painting at age 85 after a stroke. In 1968, Robert and Signe McMichael invited him to live on their property adjacent to the McMichael Canadian Art Collection in Kleinburg, Ontario, north of Toronto. He died there in 1974 and is buried in a small cemetery on the grounds of the museum.
. During the Canadian flag debate in 1964, Jackson submitted a proposal for a new design. It featured three red maple leaves on a single stem on a white background. At the top and bottom were two wavy blue horizontal bars. Jackson explained that the blue bars represented Canada's rivers, which had been the key to opening up the country.
Program: CBC Newsmagazine
Broadcast Date: July 10, 1955
Guest(s): A.Y. Jackson
Duration: 12:25
Last updated: July 26, 2012
Page consulted on December 18, 2012
All Clips from this Topic
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Lawren Harris remembers why the Group of Seven banded together and how...
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Rheumatism hasn't slowed down Group member A.Y. Jackson in 1955, and h...
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From his early city paintings to more recent abstract work, Lawren Har...
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Frederick Varley reflects on life after the Group and his technique as...
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The Group of Seven artist recalls his assignments as a war painter.
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At their home in Kleinburg, Ont. Robert and Signe McMichael share thei...
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A gallery is mobbed as Casson's latest works go on the market.
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Arthur Lismer remembers deceased Group members Franklin Carmichael and...
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An art expert dispels the belief that the Group of Seven were not acce...
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A report on the opening of a major exhibit of Canadian Depression-era ...
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A.J. Casson was "the kid" when he joined the Group in 1926. Sixty year...
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A Hamilton art dealer insists a small double-sided birch panel was pai...
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Peter Gzowski learns about newly discovered sketches of the 1917 explo...
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A curator's-eye view of one of Thomson's most famous paintings.
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Two writers debate the mythology of Canadian nature as seen in the lan...
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A profile of the building commissioned by Lawren Harris as a place for...
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An Edmonton gallery stages a retrospective of two Group of Seven membe...
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Billionaire art collector Ken Thomson nabs Baffin Island.
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A previously unknown work by Tom Thomson sells for $170,000.
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Around 1912 a loosely knit group of artists began to paint Canada as t...
