CBC Digital Archives

Carvers of the totem poles

Bill Reid spent his life confronting public opinion. The artist, who was of Haida and European descent, was largely credited with inspiring a Haida renaissance with his masterful works of art. Some viewed Reid as a curiosity – an artist who navigated his way through two dissimilar worlds. Others viewed him with a more cynical eye and criticized him as a mimic with manufactured ties to the Haida community. CBC Archives explores the esteemed, influential and at times controversial career of Bill Reid.

It's 1957 and Bill Reid is an announcer for CBC Radio in Toronto. In this CBC Radio clip, Reid takes a reprieve from his news-announcing duties and narrates a program about totem poles. But in all other respects, Reid is restless. The earliest signs of his discontent go back to 1949 when Reid joined the CBC as a newsreader. Working the 6 p.m. to 1 a.m. shift, Reid was at loose ends during the day and enrolled in a jewellery-making course at Ryerson University. He shows an aptitude for the craft but it will take a while longer before he leaves the CBC for good.

But in the meantime, Reid's two passions of art and broadcasting are colliding. In various CBC Radio and Television specials, Reid acts as the unofficial spokesman on Haida art and culture. In this clip, Reid praises the Haida carvers' unparalleled virtuosity. 
. In 1951, Reid quit Ryerson before graduation and apprenticed with the Platinum Art Company.
. Historically, totem poles were emblems of wealth and told stories of privilege about a family. But in 1884, the Canadian government banned the Potlatch, a ceremonial party that accompanied the raising of a totem pole. Increasingly, because of the pressure to assimilate into Canadian society, carving skills were lost on subsequent generations.
Medium: Radio
Program: CBC Radio Special
Broadcast Date: Nov. 1, 1957
Guest(s):
Host: Bill Reid
Duration: 14:17

Last updated: April 3, 2012

Page consulted on March 7, 2013

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