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Crime Wave sweeps city!
Guy Maddin may be one of Canada's best-known unknown filmmakers. From his early, improbable success with "Tales From the Gimli Hospital," the director has relied on near-extinct film techniques to convey both a heavy dose of melodrama and a sly sense of humour. Maddin now works with international stars, but his humble origins are with the Winnipeg Film Group — a filmmakers' co-op that, over 30 years, has brought global acclaim to many Manitoba moviemakers.
. While making movies in his spare time, Paizs worked as a traffic counter for the City of Winnipeg. His job was to sit in a booth and track the movement of cars through city intersections. A character in his film Crime Wave does the same job.
. Paizs's earliest movies were made using claymation and animation, and he worked as an animator on local TV commercials.
. In the early 1980s he branched into live action, making five shorts with the resources and pooled talent of the Winnipeg Film Group.
. "When I started filmmaking, the films produced by the Winnipeg Film Group were earnest, socially conscious slices of small town Canadiana. I brought a New Wave sensibility to my films," Paizs said in a 1999 interview.
. Three of Paizs's shorts - Springtime in Greenland, Oak, Ivy and Other Dead Elms and The International Style - are thematically linked through the main character, a strong, silent type named Nick. Packaged together as The Three Worlds of Nick, they were screened at the Toronto Festival of Festivals in 1984 - the first Winnipeg Film Group productions to play the festival.
. Crime Wave, a feature, was Paizs's next movie. The film is narrated by 12-year-old Kim (Eva Kovacs), who relates the story of aspiring colour-crime writer Steven Penny (Paizs in a non-speaking role). Penny, a tenant living above Kim's parents' garage, writes dynamic beginnings and endings to his scripts, but gets stuck with middles.
. The movie, shot in "eye-popping hues of fake Technicolor," was inspired by 1950s instructional films and by the work of American director John Waters.
. Crime Wave played Toronto's film festival in 1985. A Boston critic hailed it as "the funniest Canadian film ever made." But Paizs was unhappy with audience reaction to the film's conclusion and shot a new one.
. "I knew Crime Wave's ending lacked something. I could hear people laughing all the way through the first hour, but then it gets dark and there was silence," Paizs told Take One in 1999. "It never became a cult hit, but it really did connect with anyone who has a dream to make it."
. The movie played at festivals in the United States but never opened in theatres. Its distributor didn't know how to promote it, saying, "It's not a picture for everyone. It requires special handling."
. Crime Wave was eventually released on video as The Big Crime Wave. It occasionally airs on late-night television.
. In 1997 the Manitoba film industry named Crime Wave the Best Film of the Decade at its biannual Blizzard Awards.
. Paizs moved to television in the early 1990s, making films for Kids in the Hall and directing episodes of the series Maniac Mansion.
. In 1999 Paizs was back at the Toronto International Film Festival as director of Top of the Food Chain. The sci-fi B-movie parody is about a dying town whose TV reception goes fuzzy right before aliens begin dining on the locals.
. As of 2004 Paizs is Director in Residence at the National Film Centre in Toronto.
. Peter Jordan, a Winnipeg musician and actor who appears in this clip and in Paizs's Oak, Ivy and Other Dead Elms, later became a CBC personality. His best-known work was in a series called It's A Living, in which Jordan tried out several new jobs each week.
. Eva Kovacs, who plays Kim in Crime Wave, is (as of 2004) a news anchor for Global television in Winnipeg.
Program: 24 Hours
Broadcast Date: July 17, 1987
Guest(s): Peter Jordan, John Paizs
Reporter: Robert Enright
Duration: 4:49
Film credits: Favorite Films, Zeitgeist Films, Winnipeg Film Group
Last updated: October 26, 2012
Page consulted on November 29, 2012
All Clips from this Topic
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Three films from the group - an animated film and two documentaries - ...
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The neophyte director builds a set in his family's former beauty shop.
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A distribution deal could take John Paizs's feature beyond the cult fr...
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Writer, director and silent actor John Paizs makes an inventive crime ...
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A CBC Winnipeg film critic shares his opinion of Guy Maddin's first fe...
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Maddin talks about the "noble medium" of black-and-white film and the ...
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Guy Maddin, Greg Klymkiw and John Paizs talk about their start in the ...
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A Toronto reporter tries to understand why the city may be "the best h...
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Winnipeg Film Group member Shereen Jerrett documents people and their ...
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As his third feature Careful debuts, Maddin explains why film is his c...
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A mini-Maddin retrospective from The Dead Father to Twilight of the Ic...
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Would-be filmmakers pool their talents to form the Winnipeg Film Group...
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Maddin films the Royal Winnipeg Ballet's version of the famous vampire...
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Cowards Bend the Knee an art-gallery installation, is Maddin's most au...
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A six-minute short wins raves and far outpaces Maddin's expectations.
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Maddin gives Winnipeg the Hollywood treatment in his movie The Saddest...
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Guy Maddin may be one of Canada's best-known unknown filmmakers. From ...
